I even had the book on tape -- remember those?! -- so I have every punchline down pat.
Seeing it again after all these years I am struck by how ballsy Disney was for doing it and for allowing the movie to take so many chances. I mean, Jessica Rabbit alone would probably never make it past censors today and yet, she remains unforgettable.
"A laugh can be a wonderful thing," Roger Rabbit says at one point in the movie, which pretty much sums up the film's theme.
The plot is largely inconsquential but I appreciate that in a blockbuster family film the writers chose to make the villains a conglomerate planning to create freeways.
I also love that they have the gall to give Baby Herman a line like: "I have a 50-year-old lust and a 3-year-old dinky," pretty wild by today's standards.
Christopher Lloyd in Who Framed Roger Rabbit |
Also, Bob Hoskins deserves so much credit. There he is playing almost entirely against nothing and he's totally credible as a hard-bitten LA cop. I was shocked as a kid to learn that he was actually a Cockney Brit.
Christopher Lloyd's villain Judge Doom terrified me as a child. I definitely covered my eyes when he went full-toon and his hand turned into a chainsaw -- again really rough stuff by Disney standards.
The Roger Rabbit character should annoy me -- I've never been a big fan of hyperactiveness -- but he works for me, I suppose because he's as much a riff on what proceeded him as anything else.
You gotta revisit this 'toon if you get the chance. It holds up, it's hilarious and it'll make you smile.
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